/ Investigadores

Patrícia Sequeira Brás

Investigador, Investigador Integrado

4 - Artistic Trends and Intellectual Movements
PB

patricia.sequeira.braz@gmail.com

Biografia

Patrícia Sequeira Brás is Visiting Assistant Professor in Film Studies at Universidade de Coimbra and Integrated Researcher at CEIS20. She concluded her doctoral research in the Department of Iberian and Latin American Studies at Birkbeck, University of London, in 2015. She previously taught at Queen Mary and Birkbeck, University of London, and at the University of Exeter in the UK and then held a research position at Universidade Lusófona in Lisbon. The relationship between politics and cinema that motivated her doctoral work continues to shape her new research projects. Her current research interests include documentary film genre, feminism and gender studies, filmic temporality and visual coloniality.

Extra

Temas e problemáticas da atividade científica

estudos de género
temporalidade cinematográfica
colonialidade visual

Publicações mais relevantes no período de 2018-2023

Sequeira Brás, P. (2024). The Political Gesture in Pedro Costa’s Films, New Studies in European Cinema series, (vol.25, 168 pp.). Peter Lang.

Sequeira Brás, P. (2023). Reproductive Work in the Aftermath of the Global Financial Crisis: maternity in Tempo comum (2018) and Els dies que vindran (2019). In C. Cucinotta and J. R. Lopez (eds.), Cine en el âmbito ibérico: género a foco. [Comunicación Jornadas sobre imagen y mujer em España y Portugal, 22 y 23 octubre 2021]. Editorial Sindéresis.

Sequeira Brás, P. (2022). A Ambivalência Colonial nas Imagens em Movimento Contemporâneas: O Caso Português. Comunicação E Sociedade, 41, 91–103. https://doi.org/10.17231/comsoc.41(2022).3698

Sequeira Brás, P. (2021). Reciprocal Narratives in Que Bom te Ver Viva (Lúcia Murat, 1989). Journal of Romance Studies, 21 (2). https://doi.org/10.3828/jrs.2021.10

Sequeira Brás, P. (2020). Post-Fordism in Active Life (2013), Industrial Revolution (2014) and The Nothing Factory (2017). In T. Austin & A. Koutsourakis (Eds.), Cinema of Crisis: Film and Contemporary Europe, (pp. 76-92). Edinburgh University Press.

Participação em projetos financiados no período de 2018-2023

Projeto Satélite “Dive-In: Design em projeção” (€ 9, 000.00), Bienal de Design do Porto, 2023. Research Innovation Fund Development Grant “Feminist Practices of Storytelling in Cinema and Social Media” (£ 3, 842.76), Birkbeck|Núcleo de Estudo de Gênero – PAGU, Unicamp, 2019. Iberian and Latin American Scholarship Visiting Program for PhD Research “The Political Gesture in Pedro Costa's Films” (€ 1, 000.00), Ibero-Amerikanisches Institut, Berlin, 2013. Fundação da Ciência e Tecnologia Programa de Bolsa de Doutoramento “The Political Gesture in Pedro Costa's Films”, 2009-2012.

Orientação de estudantes de pós-graduação no período de 2018-2023

PhD: Célia Capêlo, “Contextos, situações e lugares da cenografia”, FLUC, 2022-25. PhD: Vanessa Fernandes, “Planeta II - A ficção científica como proposta de decolonização”, FLUC, 2022-25. MA : Fernanda Leme, “Dissociation in Mr. Robot”, ULHT, 2021-23. MA (practiced-based): Paula Loffler, “The Use of Cinematographic Strategies in the Representation of Vulnerable People in Documentary Cinema”, ULHT, 2021-23. MA : Hind Kammourieh, “Bandersnatch’s Audience: A choice or the future of the industry?”, (16/20), ULHT, 2021-22. MA : Angela Duque, “Editing and Gender Representation: A comparison between David Lynch’s Dune (1984) and the fan-edited Dune: The Alternative Edition Redux (2012)”, (14/20), ULHT, 2021-22. MA : Catriona Perry, “Crisis Mapping: Representing Global Capitalism in Terratreme's Transnational Crisis Cinema”, Distinction (80/100), Birkbeck, University of London, 2019-20.