Prática como investigação

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(2013) Doing Research, Writings from the Finnish Academy of Fine Arts - Nº 3, http://www.kuva.fi/fi/tutkimus/julkaisut/

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(2011) Arts Based Research. Newcastle: SAGE Publications.

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(2012) The Routledge Companion to Research in the Arts. Londres: Routledge.

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(2011) En torno a la investigación artística. Barcelona: MACBA/UAB.

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(2011) O ato fotográfico e outros ensaios. Papirus.

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(2008) Handbook of the arts in qualitative research: Perspectives, methodologies, examples, and issues. Thousand Oaks: SAGE Publications.

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(2009) Art meets method: Arts-based research practice. New York: Guilford Press.

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(2018) Research Methods for the Digital Humanities. Palgrave Macmillan.

MULLER, E.
(2008) The experience of interactive art: a curatorial study. Sidney: University of Technology.

NELSON, Robin.
(2013) Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. London: Palgrave Macmillan.

SALES, Cecilia Almeida
(2007) CRÍTICA GENÉTICA - Fundamentos dos estudos genéticos sobre o processo de criação artística.

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(2014) A Practical Guide to Arts-related Research. Boston: Sense Publishers.

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(2000) Practice-led Research, Research-led Practice in the Creative Arts. Edimburgo: Edinburgh University Press.

SPATZ, Ben
(2015) What a body can do – Technique as Knowledge. Practice as Research. London and New York: Routledge.

SULLIVAN, G.
(2005) Art practice as research: Inquiry in the visual arts. Thousand Oaks: SAGE Publications.

BATTY, C. & KERRIGAN, S. (2017) - Screen Production Research: Creative Practice as a Mode of Enquiry. Palgrave Macmillan.

CONOMOS, John (2007) In Between – The moving image: Mutant media: Essays on cinema, video art and new media. Sydney: Artspace&Power Publications.

COSTA, Antonio (2002) Il Cinema e le Arti Visive. Torino: Piccola Biblioteca Einaudi.

DONALD, James & Michael RENOV (eds.)
(2008) The SAGE Handbook of Film Studies. Newcastle: SAGE Publications.

JACOBS, J.
(2019) Film as a Research Method: A Practice-based Guide. SAGE Publications.

KOLKER, Robert (ed.)
(2008) The Oxford Handbook of Film and Media Studies. Oxford: Oxford University Press.

METZ, Christian
(2006) The Imaginary Signifier: Psychoanalysis and the Cinema. Bloomington: Indiana University Press.

RANCIÈRE, Jacques
(2011) O Destino das Imagens. Lisboa: Orfeu Negro.

RICHARDSON, J., GORBMAN, C. & VERNALLIS, C. (eds.)
(2013) The Oxford Handbook of New Audiovisual Aesthetics. Oxford: Oxford University Press.

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(1991) The Culture Industry: Selected Essays on Mass Culture. Routledge.
(2006) Towards a Theory of Musical Reproduction: Notes, a Draft and Two Schemata, Henri Lonitz (ed.). Cambridge: Polity Press.

BARENBOIM, Daniel
(2008) Everything is Connected: The Power of Music. London: Orion Publishing Co.

BARENBOIM, Daniel & SAID, Eduard
(2004) Parallels and Paradoxes: Explorations in Music and Society. New York: Vintage Books.

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(2005) Musicology: The Key Concepts. Routledge.

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(1992) Disciplining Music: Musicology and Its Canons. Chicago University Press.

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(2008) The Triumph of Music: Composers, Musicians and Their Audiences, 1700 to the Present. Penguin Books.

BONDS, Mark Evan
(2014) Absolute Music: The History of an Idea. Oxford University Press.

COOK, Nicholas
(1998) Music: A Very Short Introduction. Oxford University Press.

COOK, Nicholas & EVERIST, Mark (eds.)
(2001) Rethinking Music. Oxford University Press.

FUBINI, Enrico.
(2019) Estética da Música. Edições 70.

HARPER-SCOTT, J. P. E. & SAMSON, Jim, (eds.)
(2009) An Introduction to Music Studies. Cambridge University Press.

SAMPSEL, Laurie J.
(2009) Music Research: A Handbook. Oxford: Oxford University Press.

ACEVEDO, L.
(2011) Arte y pedagogía en el horizonte de lo contemporáneo (Tesis de maestría). Medellín: Universidad de Antioquia.

ALLEGUE, L., Jones, S., Kershaw, B., & Piccini, A. (eds)
(2009) Practice-as-Research in Performance and Screen. Hampshire & New York: Palgrave MacMillan.

ALLPRESS, Brent; et. al. (eds.)
(2012) Supervising Practices for Postgraduate Research in Art, Architecture and Design. Melbourne: Sense Publishers.

BALA, Sruti et al. (eds.)
(2017) International Performance Research Pedagogies: Towards an Unconditional Discipline? Palgrave.

BALDACCHINO, J.
(2009) “Opening the picture: On the political responsibility of arts-based research: A review essay”, International Journal of Education & the Arts, 10 (Review 3). http://www.ijea.org/v10r3/

Barrett, E. & Bolt, B. (eds)
(2007) Practice as Research: Approaches to Creative Arts Enquiry. London: I.B. Tauris

BLACKLER, Alethea
(2008) Intuitive Interaction with Complex Artefacts: Empirically-Based Research. Saarbrucken: VDM.

BIGGS, Iain
(2009) Art as Research. Creative practice and academic authority; a project-based examination of the politics of art-led research in a doctoral context. Saarbrücken: VDM Verlag.

BORGES, Vera
(2020) “Observar os observadores n’O Bando: como podem o teatro e a investigação científica ser tão desafiantes?”, CIES e-Working Paper N.º 229/2020 [http://hdl.handle.net/10071/20590]

CERWONKA, Allaine & Liisa H. Malkki
(2007) Improvising Theory Process and Temporality in Ethnographic Fieldwork. Chicago: The Universisty of Chicago Press.

DAICHANT, G. James
(2012) Artist Scholar. Reflections on Writing and Research. Bristol: Intellect.

FREEMAN, John (ed.)
(2010) Blood, Sweat and Theory: Research Through Practice in Performance, UK: Libri Publishing

HAARMANN, Anke
(2019) Artistic Research: Eine epistemologische Ästhetik’, Bielefeld, transcript verlag.
https://jar-online.net/review-anke-haarmann-artistic-research-eine-epistemologische-asthetik

INGOLD, T.
(2000) The Perception of the Environement. London: Routledge.

LAINE, Marlene de
(2000) Fieldwork. Participation and Practice Ethics and Dilemmas in Qualitative Research. London: SAGE Publications.

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(1998) “From the world of science to the world of research?", Science, 280 (5361), 208-209.
(2004) “How to talk about the body? The normative dimension of science studies”, Body and Society, 10 (2-3), 205-229.

KERSHAW, Baz & NICHOLSON, Helen (eds.)
(2011) Research Methods in Theatre and Performance. Edinburgh: Edinburgh Universty Press.

KLEINSCHMIDT, Katarina
(2018) Artistic Research als Wissensgefüge: Eine Praxeologie des Probens im zeitgenössischen Tanz

MCLEAN, Athena and Annette Leibing (eds.)
(2007) The Shadow Side of Fieldwork. Exploring the Blurred Borders between Ethnography and Life. Oxford: Blackwell.

MACNIFF, S.
(1998) Art-based Research. London: Jessica Kingsley Publishers

MORRIS, Geraldine & NICHOLAS, Larraine (eds.)
(2017) Rethinking Dance History: Issues and Methodologies. Londres: Routledge.

PEARSON, Mike
(2006) “In comes I”, Performance, Memory and Landscape. Exeter: University of Exeter Press.

PETERS, Sybylle (ed.)
(2013) Das Forsehen Aller. Artistic Research als Wissensproduktion zwischen Kunst, Wissenschaft und Gesellscgaft. Berlin: Transcript

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(1991) Interpreting the Theatrical Past: Essays in the Historiography of Performance. Iowa City: University of Iowa Press.

SÁNCHEZ, José Antonio
(2013) “In-definiciones. El campo abierto de la investigación en artes. Jornadas de Investigación”, Artes. La Revista, vol 12, nº 19. ISSN. 1657-3242.
http://blog.uclm.es/joseasanchez/files/2018/01/2013.-In-definiciones.pdf

SENNET, Richard
(2012) Together. The Rituals, Pleasures, and Politics of Cooperation. New Haven: Yale UP.

THOMPSON, J.
(2009) Performance Affects: Applied Theatre and the End of Effect. Hampshire & New York: Palgrave Macmillan

VAN DIJK, Bert
(2011) Towards a New Pacific Theatre: Practice-led Research into an Intercultural Model of Site-specific Performance. Saabrucken, VDM.

AUMONT, Jacques
(2014) A Imagem , Olhar, Matéria, Presença. Lisboa : Edições Texto & Grafia.

BADIOU, Alain. Petit Manuel d’Inesthétique. Paris: Editeur Seuil, 1998

BENJAMIM, Walter. The Work of Art in the Age of Mechanical Reproduction, in Illuminations, ed. Hannah Arendt. New York: Schocken Books, 1992

BETTERTON, Rosemary
(1996) An Intimate Distance: Women, Artists and the Body. London and New York: Routledge.

BISHOP, Claire
(2005) Installation Art: A Critical History. London: Tate Publishing.

BROOK, Peter
(2010) O Espaço Vazio. Lisboa: Orfeu Negro.

DERRIDA, Jacques
(1987) The Truth in Painting. Chicago: University of Chicago Press.

ELKINS, James
(2009) Artists with PhDs. On the New Doctoral Degree in Studio Art. Washington DC: New Academia Publishing.
(2012) What do Artists Know?. Penn State Press.

GIL, José
(1996) A Imagem-Nua e as Pequenas Perceções: Estética e Metafenomenologia. Lisboa: Relógio d'Água.

JONES, Amelia
(2006) Self/Image: Technology, Representation and Contemporary Subject. London and New York: Routledge.

KAPROW, Allan
(2008) Art As Life. London: Thames & Hudson.

KRAUSS, Rosalind
(1989) Passages in Modern Sculpture. Londres: Thames and Hudson.

MOLINET, Emmanuel
(2006) L'Hybridation: un processus décisif dans le champ des arts plastiques. Le Portique.

SLAGER, Henk
(2012) The Pleasure of Research. Helsinki: The Finnish Academy of Fine Arts.

VIDAL, Carlos
(2002) A Representação da Vanguarda: Contradições Dinâmicas na Arte Contemporânea. Oeiras: Celta Editora.

VIDAL, Carlos
(2015) Invisualidade da Pintura – Uma história de Giotto a Bruce Nauman. Lisboa: Fenda.

• Casa da Esquina
• Cooperativa Bonifrates
• A Escola da Noite
• JACC - Jazz ao Centro Clube
• O Teatrão
• Teatro Académico de Gil Vicente
• Teatro da Rainha
• Festival de Cinema de Avanca
• IndieLisboa: Festival Internacional de Cinema Independente de Lisboa
• Queer Lisboa: Festival Internacional de Cinema Queer
• Teatro O Bando